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Bylaws of the
Washington Area Theater Community Honors
(WATCH)
updated as of 10/18/06
Changes listed in Appendix C
- Overview
- Name of organization the name of the corporation shall be the Washington Area
Theater Community Honors (WATCH), hereinafter referred to as "WATCH".
- Mission statement WATCH is an organization founded for the adjudication and
presentation of annual awards recognizing artistic and technical excellence in community
theater throughout the metropolitan Washington, D.C. area, and that these honors will:
Foster
and encourage the growth of community theater;
Promote and enhance the image of community theater; and
Educate and inform the general public about the theatrical opportunities provided by the
member theaters.
- Corporate structure WATCH shall be governed by a board of directors composed of a
representative from each member theater (see section III.A.). Day to day operations shall
be handled by the officers and coordinators as approved by the board of directors (see
section III.A.).
- Finances WATCH shall operate under a fiscal year from January 1 to December 31.
All bank accounts shall be under the name Washington Area Theater Community Honors
(WATCH). Signatory power shall rest with the treasurer and chair of the board of
directors.
- Non-profit status WATCH shall operate as a not-for-profit entity. Costs of
running the corporation and administering the awards process shall be covered by the
membership dues. The awards ceremony shall be covered by
membership dues, admission receipts, individual donations and/or corporate
sponsorships/grants.
- Membership
- Admission any theater that meets the WATCH membership criteria may petition for
membership. Petitions may be granted by the board of directors at any time during the
year, but participation in the judging process will not begin until the beginning of the
next judging session (calendar year). In order to participate in the upcoming judging
session (calendar year) each member theater must submit its adjudicators and pay its dues
by November 1 of the year preceding.
- Eligibility criteria for membership are as follows. Member theaters must:
- Produce a minimum of three full length productions each season.
Reviews and compilations of one-acts shall only be eligible for
adjudication if they are commercially available and traditionally
presented in that format. “Radio Plays” and “Staged Readings” are not
eligible for adjudication. However, radio plays, staged readings,
original reviews or one-act compilations may be used to meet the WATCH
membership criteria if they are presented as part of a theater’s
regular main stage season.
- Be volunteer in nature and mission, excluding dinner theaters and childrens
theaters. Any payment, honoraria or other financial
distributions to on-stage performers (excluding orchestra) constitutes
a breach of this tenet.
- Perform within the accepted boundaries of the greater metropolitan
Washington area (District of Columbia; Maryland counties of Prince
Georges and Montgomery; Virginia counties of Fairfax and Arlington
and encompassed cities). A group with a performance facility in a
county that does not touch or fall within the Washington, D.C.
Capitol Beltway (I-95/I-495) requires a two-thirds (2/3) majority
vote by the Board to accept membership.
- Meet the previous criteria for two complete and consecutive seasons
- Eligibility
waivers may be granted by a two-thirds (2/3) majority vote by the
entire Board to accept membership and may be done via e-mail to the
Chair and Secretary when meeting quorum does not constitute the
entire Board. If a company requires multiple waivers, each
waiver will be voted on separately (e.g. geographic, number of shows
in season, history of company, etc.) so that a clear reason may be
presented to the petitioner if declined.
- Petitions must
be received before June 30 to be considered for membership. A
representative from the petitioning company must attend at least one
meeting before a petition will be granted.
- Status there shall be four classes of members:
- Charter Members shall have participated in the planning and creation of the
corporation by July 1, 1999. This group shall appoint the initial board of directors who
will review the petitions of additional theaters wishing to participating in the inaugural
season (January 1, 2000 December 31, 2000). This class of members will be honorary
after the inaugural season to recognize those theaters who participated in the formation
of WATCH (See appendix A).
- Active those members who are current with their dues, have provided the requisite
number of adjudicators for the judging process and have provided a representative to the
board of directors.
- Inactive those members whose theater ceases production for reasons beyond its
control but who wish to remain associated with WATCH. This status may only be granted by
the board of directors as the situation warrants. Membership dues for inactive members
will be determined by the board of directors as appropriate. The representative on the
board of directors may continue to represent the inactive member theater, but voting may
be restricted by the board as appropriate.
- Applicant those members who have been successfully granted membership during a
judging session (calendar year) but whose productions will not be judged until the
following session may send a non-voting member to the board of directors for the purpose
of representation on any issues that may affect the upcoming session. Dues (if any) shall
be determined by the board of directors as necessary.
- Dues each member theater must pay its administrative dues by November 1 of the
year preceding the judging period. These dues shall be set by the board of directors as
appropriate.
- Member Grievances if any member theater has grievances about how the awards
process is run or the administration of the corporation, their representative on the board
is encouraged to bring them before the entire board of directors for discussion.
- Withdrawal any member theater who wishes to withdraw may do so at any time by
submitting their intentions in writing to the board of directors. If said resignation
occurs during a adjudication period the board will notify the adjudication coordinator of
the withdrawal and he will notify the adjudicators scheduled to judge that theaters
remaining productions not to do so. Productions already judged shall be removed from the
tally (adjudication coordinator to notify the commercial accounting firm), however scores
submitted by the withdrawing theaters adjudicators shall remain in effect. The
withdrawing theater forfeits their dues paid.
- Administrative Structure
- Board of Directors shall manage the affairs of the corporation and oversee the
awards process
- Number, tenure and qualification. The number of directors shall equal the number of
member theaters for the current judging session (calendar year). Each member theater
should appoint a representative (and specify an alternate) to this board. Board members
will serve one year terms from July 1 through June 30. The number of terms an individual
may serve on the board shall be determined by the member theater appointing him/her.
Member theaters are encouraged to send a representative to the WATCH board who also sits
on the theaters board.
- Meetings. The WATCH board of directors shall meet at minimum quarterly to discuss the
regular business of the corporation. Special meetings may be called as necessary by the
chair. Notice of any special meeting must be given at least two weeks prior by written
notice or by phone or email, with acknowledgement of receipt returned.
- Quorum for the WATCH board shall be simple majority.
- Voting each board member shall receive equal vote in any matter being decided by
the board. A vote requires majority of quorum to pass unless otherwise specified in these
bylaws.
- Vacancies any board member who resigns for any reason during the year will be
replaced by his/her member theater board. Such change in representation should be in
writing to the WATCH board from the member theaters president.
- Officers the board of directors at its first meeting of the upcoming session
shall elect from within the following officers: chair, treasurer, recording secretary.
- Chair shall run the meetings of the board of directors
- Treasurer – shall pay the bills, collect the dues, maintain any
financial accounts and records of the corporation.
- Recording Secretary shall recording the minutes of the board meetings.
- Powers these officers have no greater authority than any other board member in
deciding matters, but are necessary for the purpose administering the corporation.
- Vacancies if any of the three officers leaves the board of directors for any
reason, their position shall be filled by vote of the board of directors at the next
meeting (allowing the affected member theater time to appoint a replacement to the board).
- Officers may be removed from office by a 2/3 vote of the full board of directors.
- Coordinators
- The board of directors shall approve a committee of coordinators to handle the
administrative operation of the awards process. Coordinator positions shall be created by
the board of directors as necessary, but must include:
- Adjudication Coordinator responsible for the administration of the adjudication
process. He/she coordinates the matrix assigning each adjudicator to a particular
production for adjudication. He/she coordinates with the accounting firm enlisted to
tabulate the scores. He/she is a non-voting member of the board of directors, unless
he/she is a member theaters representative on the board of directors, in which case
he/she shall have that theaters vote. His/her term of office shall be November 1
from the year preceding the adjudication year through the awards presentation for that
year the following March (approximately a 17 month commitment).
- Criteria coordinator responsible for monitoring the adjudication criteria,
training of the adjudicators, creating the ballots, and coordinating changes to the award
criteria as necessary for submission to the board of directors for approval.
- Other coordinators as deemed necessary by the board of directors
- Nominations/elections/terms of office a coordinator will be nominated by a member
theater and approved by the board of directors for the upcoming adjudication period
(calendar year). Nominations should be made prior to November 1 for approval of the board.
Each coordinator shall hold that office for one year. Coordinators may hold the office for
more than one session upon approval of the board of directors. Vacancies of any position
shall be filled by soliciting nominations and approval of the board of directors. The
adjudication coordinator can be removed by a 2/3 vote of the board of directors. Any other
coordinator may be removed by a simple majority of the board of directors. Any vacancy
shall be filled by the board of directors as necessary.
- The Awards Process
- There shall be 28 awards presented for outstanding achievement in the theater arts by
the member theaters in 28 categories as approved by the board of directors (see appendix
B). Plus any special awards as deemed appropriate by the board of directors.
- The awards shall be presented at an event deemed appropriate by the board of directors
on the first Sunday in March the year following the adjudication period, or on a date
approved by the board of directors. Awards shall be sponsored as deemed appropriate by the
board of directors.
- The judging session shall be based on a calendar year, the first year to start on
January 1, 2000, ending December 31, 2000. All main-stage productions opened during that
year shall be eligible for competition. The session for adjudication shall be the year in
which the production opens regardless of when it closes or when it auditions or
rehearses.
- Each member theater will appoint at its own discretion the requisite
number of adjudicators as required of all theaters as determined by the
board. Adjudicators should have expertise in production and/or technical
theater. Adjudicators should be appointed by November 1 of the year
preceding competition and reported to the Adjudication Coordinator.
- Adjudicators will be assigned productions to score using an electronic
matrix to guarantee random assignments. A matrix validation will be
performed by a committee of no less than two people (including the
current adjudication coordinator) according to statistical data from
previous two years to assure a balanced distribution of judges to each
show. If an adjudicator is unable to score a particular production, the
Adjudication Coordinator will coordinate an exchange to ensure the
requisite number of adjudicators score each production. Each adjudicator
will be assigned up to 10 productions during the calendar year.
- Criteria for scoring each element shall be approved by the board of directors. The
Criteria Coordinator will coordinate any changes in the criteria which would then be
approved by the board of directors.
- Each member theaters productions will be eligible providing they meet the criteria
listed under membership criteria (section II-B). Reviews and compilations of one-acts
shall only be eligible if they are commercially available and traditionally presented in
that format. Productions scheduled for fewer than six performances
are not eligible for adjudication, although they may be counted toward
the company's qualification to participate in WATCH.
- Each eligible production will be assigned to a total of 10 judges for
adjudication (chosen randomly by the computerized matrix), each of whom
will complete a ballot sent directly (via mail or electronic transmission)
to the independent tabulator. Tabulation rules will be maintained as an
appendix to the by-laws (Appendix E). A list of the nominees will be made available for
notification and publicity prior to the presentation event.
- No adjudicator will score a production by his/her member theater. No adjudicator shall
represent more than one member theater. No adjudicator shall score a show he/she is
directly involved with. The Adjudication Coordinator will handle any swapping of shows by
adjudicators if a conflict of interest arises and shall report such actions to the board
of directors.
- Bylaw amendments
- Must be presented to the board of directors in writing. The board will discuss the
amendments at the meeting at which they are presented. Amendments shall be accomplished by
a 2/3 vote of the full board (not quorum) at the next full board or special meeting. This
is so each board member may take the amendment back to his/her theaters board for
further discussion (if any) prior to the vote.
- Dissolution, Merger or Consolidation
- At any special meeting of the board of directors where the purpose has been stated in
the notice of meeting (sent 30 days in advance), the corporation may elect to dissolve,
merge or consolidate with another organization by a 2/3 vote of the full board of
directors. In this event, the board of directors shall liquidate its assets and distribute
them in accordance with the law and the articles of incorporation.
ORIGINAL BY-LAWS (EXCLUDING CHANGES NOTED IN APPENDIX C) WERE APPROVED 7/11/99
APPENDIX A
Charter Members of WATCH and Inuagural Season Members for 2000:
The Arlington Players
Castaways Repertory Theater
Elden Street Players
Hard Bargain Players
Little Theatre of Alexandria
Montgomery Playhouse
Port Tobacco Players
Prince William Little Theatre
Reston Community Players
Tapestry Theater Company
APPENDIX B
Awards Presented by WATCH are for Outstanding Achievement in the
following areas:
| Overall (7): |
Technical (11): |
Performance (10): |
| Production of a Musical |
Set
Design
|
Lead
Actor in a Play |
| Production of a Play |
Set
Construction |
Lead
Actress in a Play |
| Direction of a Musical |
Set
Painting |
Lead
Actor in a Musical |
| Direction of a Play |
Set
Decoration/Dressing |
Lead
Actress in a Musical |
| Musical Direction |
Properties |
Featured
Actor in a Play |
| Choreography |
Costumes |
Featured
Actress in a Play |
| Stage Combat |
Lighting
Design |
Featured
Actor in a Musical |
| |
Sound
Design |
Featured
Actress in a Musical |
| |
Make-Up Design |
Cameo Performance in a Play |
| |
Hair Design |
Cameo Performance in a Musical |
| |
Special
Effects |
|
APPENDIX C
Approved Bylaw Changes: 11/00 -
Section IV, Paragraphs D and E - The number of judges was increased to five from
four in order to reduce the number of productions adjudicated by each judge to
ten or fewer per year. 07/15/01 - Section II., Paragraph
B - Eligibility criteria for membership, subparagraph 3 be amended to as
follows: Perform within the accepted boundaries of the greater metropolitan
Washington area (District of Columbia; Maryland counties of Prince Georges and
Montgomery; Virginia counties of Fairfax and Arlington and encompassed cities).
A group with a performance facility in a county that does not touch or fall
within the Washington, D.C. Capitol Beltway (495) requires a two-thirds (2/3)
majority vote by the Board to accept membership. Previous
language was as follows: Perform within the accepted boundaries of the greater metropolitan Washington area
(District of Columbia; Maryland counties: Montgomery, Frederick, Howard, Anne
Arundel,
Prince Georges, and Charles; Virginia counties: Arlington, Loudon, Fairfax, Prince
William, Fauquier, Stafford and encompassed cities). 07/15/01
- Section IV., Paragraph A, - Change the number of categories and awards from 25
to 26. 07/15/01 - Appendix B - Elimination of the
combined category award for Make-Up/Hair. The addition to Appendix B of
one technical category award for Hair and one technical category award for
Make-Up. The total number of Technical awards in Appendix should be changed from
ten (10) to eleven (11). (effective for adjudication in the 2002 calendar year) 09/30/01
- Section IV., Paragraph A is amended to reflect the following: A. There
shall be twenty-eight (28) awards presented for outstanding achievement in the
theater arts by the member theaters in twenty-eight (28) categories as approved
by the board of directors. Plus any special awards as deemed appropriate by the
board of directors. 09/30/01 - Appendix B is amended to
reflect the following: Amend Performance (8) to Performance (10) and add the two
following awards under this category: Cameo Performance in a Play and Cameo
Performance in a Musical. 10/07/02 - Section II,
Paragraph B Articles 5 and 6 - added to the by-laws to allow the board the
ability to grant waivers on individual eligibility requirements on a case by
case basis. Also the deadline for petitioning to join WATCH was specified
as June 30. The word "president" was originally approved but changed to
"chair" for consistency in the by-laws, since the office of president does not
exist in WATCH. 7/20/03 - Section I, Paragraph E -
changed the following original language: "The awards themselves shall be covered
by individual sponsors. The awards ceremony shall be covered by admission
receipts and corporate sponsorship and/or grants." to the following language:
"The awards ceremony shall be covered by membership dues, admission receipts,
individual donations and/or corporate sponsorships/grants."
7/20/03 - Section II, Paragraph B, Article 1 - changed the following original
language: "Original reviews or One-Act Evenings may be used to meet the WATCH
membership criteria if they are presented as part of a theater’s regular
season." to the following language: "“Radio Plays” and “Staged Readings” are not
eligible for adjudication. However, radio plays, staged readings, original
reviews or one-act compilations may be used to meet the WATCH membership
criteria if they are presented as part of a theater’s regular main stage
season." 7/20/03 - Section II, Paragraph B, Article 2 - added
the following language to further define the meaning of volunteer in nature:
"Any payment, honoraria or other financial distributions to on-stage performers
(excluding orchestra) constitutes a breach of this tenet."
7/20/03 - Section III, Paragraph A, Article 6, Sub-article b - changed the
following original language: "shall pays the bills, collects the dues, maintains
any financial accounts of the corporation. Maintains all financial records of
the corporation." to the following language: "shall pay the bills, collect the
dues, maintain any financial accounts and records of the corporation."
7/20/03 - Section IV, Paragraph H - This section defined the original plan for
tabulation. The change moved the tabulation rules to an appendix still
being finalized.
1/6/04 - Appendix D updated for 2004.
4/18/04 - Appendix E approved.
1/1/05 - Appendix D updated for 2005.
7/12/05 - Section IV, Paragraph G - The following statement was added.
"Productions scheduled for fewer than six performances are not eligible for
adjudication, although they may be counted toward the company's qualification to
participate in WATCH." This change to the by-laws is effective as of
1/1/2006.
10/30/05 - Appendix D, updated for 2006.
10/18/06 - Appendix D, updated for 2007
10/18/06 - Section !V, Paragraph D - The following statement was changed: "Each
member theater will appoint at its own discretion five adjudicators." to the
following: "Each member theater will appoint at its own discretion the requisite
number of adjudicators as required of all theaters as determined by the board."
This change allows the board to annually set the number of judges per company
(for the following year) without requiring a formal by-law change process, and
according to a majority vote by the quorum at a regular board meeting.
This change was approved and is effective as of 10/15/06.
10/18/06 - Section IV, Paragraph E - The following statement was changed: "This
will be done by the Adjudication Coordinator." to the following: "A matrix
validation will be performed by a committee of no less than two people
(including the current adjudication coordinator) according to statistical data
from previous two years to assure a balanced distribution of judges to each
show.". This change was approved and is effective as of 10/15/06.
APPENDIX D
List of Participating Companies by Adjudication Year: 2000
- Charter Membership Year
|
The Arlington Players
|
|
Castaways Repertory Theater
|
|
Elden Street Players
|
|
Hard Bargain Players
|
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
|
Reston Community Players
|
|
Tapestry Theater Company
|
2001
|
The Arlington Players
|
|
Castaways Repertory Theater
|
|
Elden Street Players
|
| Great Falls Players (new) |
|
Hard Bargain Players
|
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
|
Reston Community Players
|
| St. Mark's Players (new) |
| Silver Spring Stage (new) |
|
Tapestry Theater Company (inactive)
|
2002
|
The Arlington Players
|
|
Castaways Repertory Theater
|
| Dominion Stage (new) |
|
Elden Street Players
|
| Great Falls Players |
|
Hard Bargain Players
|
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
|
Reston Community Players
|
| Rockville Little Theatre (new) |
| St. Mark's Players |
| Silver Spring Stage |
|
Tapestry Theater Company
|
| Vienna Theatre Company (new) |
2003
| American Music Stage (new) |
|
The Arlington Players
|
|
Castaways Repertory Theater
|
| Dominion Stage |
|
Elden Street Players
|
|
Hard Bargain Players
|
| Kensington Arts Theatre (new) |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse (new) |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
|
Reston Community Players
|
| Rockville Little Theatre |
| St. Mark's Players |
| Silver Spring Stage |
| Springfield Community Theatre (new) |
|
Tapestry Theater Company
|
| Vienna Theatre Company |
2004
| Aldersgate Church Community Theater (new) |
| American Music Stage |
|
The Arlington Players
|
|
Castaways Repertory Theater
|
| Chevy Chase Players (new) |
| Dominion Stage |
|
Elden Street Players
|
| Fauquier Community Theatre (new) |
|
Hard Bargain Players
|
| Kensington Arts Theatre |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
| Providence Players of Fairfax (new) |
|
Reston Community Players
|
| Rockville Little Theatre |
| Rockville Musical Theatre (new) |
| St. Mark's Players |
| Silver Spring Stage |
| Springfield Community Theatre (inactive status -
2004) |
| Tantallon Community Players (new) |
|
Tapestry Theater Company
|
| Vienna Theatre Company |
2005
| Aldersgate Church Community Theater |
|
The Arlington Players
|
|
Castaways Repertory Theater
|
| Chevy Chase Players |
| Dominion Stage |
|
Elden Street Players
|
| Fauquier Community Theatre |
| Foundry Players (new) |
|
Hard Bargain Players
|
| Kensington Arts Theatre |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
| Providence Players of Fairfax |
|
Reston Community Players
|
| Rockville Little Theatre |
| Rockville Musical Theatre |
| St. Mark's Players |
| Silver Spring Stage |
| Springfield Community Theatre |
| Tantallon Community Players |
|
Tapestry Theater Company
|
| Vienna Theatre Company |
2006
| Aldersgate Church Community Theater |
|
The Arlington Players
|
| Bowie Community Theatre (new) |
|
Castaways Repertory Theater
|
| Chevy Chase Players |
| Dominion Stage |
|
Elden Street Players
|
| Fauquier Community Theatre |
| Foundry Players |
|
Hard Bargain Players
|
| Kensington Arts Theatre |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
| Providence Players of Fairfax |
|
Reston Community Players
|
| Rockville Little Theatre |
| Rockville Musical Theatre |
| St. Mark's Players |
| Silver Spring Stage |
| Springfield Community Theatre |
| Tantallon Community Players |
|
Tapestry Theater Company
|
| Vienna Theatre Company |
2007
| 2nd Flight Productions (new) |
| Aldersgate Church Community Theater |
|
The Arlington Players
|
| Bowie Community Theatre |
|
Castaways Repertory Theater
|
| Chevy Chase Players |
| Colonial Players of Annapolis (new) |
| Dominion Stage |
|
Elden Street Players
|
| Fauquier Community Theatre |
| Foundry Players |
|
Hard Bargain Players
|
| Kensington Arts Theatre |
| Laurel Mill Playhouse (new) |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
| Providence Players of Fairfax |
|
Reston Community Players
|
| Rockville Little Theatre |
| Rockville Musical Theatre |
| St. Mark's Players |
| Silver Spring Stage |
| Springfield Community Theatre |
| Tantallon Community Players |
|
Tapestry Theater Company
|
| Vienna Theatre Company |
2008
| 2nd Flight Productions |
| Aldersgate Church Community Theater |
|
The Arlington Players
|
| Bowie Community Theatre |
|
Castaways Repertory Theater
|
| Chevy Chase Players |
| Colonial Players of Annapolis |
| Dominion Stage |
|
Elden Street Players
|
| Fauquier Community Theatre |
| Foundry Players |
| Greenbelt Arts Center (new) |
|
Hard Bargain Players
|
| Kensington Arts Theatre |
| Laurel Mill Playhouse |
|
Little Theatre of Alexandria
|
|
Montgomery Playhouse
|
| Port City Playhouse |
|
Port Tobacco Players
|
|
Prince William Little Theatre
|
| Providence Players of Fairfax |
|
Reston Community Players
|
| Rockville Little Theatre |
| Rockville Musical Theatre |
| Rooftop Productions |
| St. Mark's Players |
| Silver Spring Stage |
| Tantallon Community Players |
| Vienna Theatre Company |
Officers of WATCH - History
1998 - Al Edick
1999 - John Monnett, TAP (Chair), Bob Bartlett, HBP (Treasurer), Eleanore
Tapscott/Peggy Jones, TTC (Secretary)
2000 - John Monnett, TAP (Chair), Bob Bartlett, HBP (Treasurer), Peggy Jones,
TTC & Sue Pinkman, RCP (Secretary)
2001 - Sue Pinkman, RCP (Chair), John Monnett, TAP (Treasurer), Mary-Anne
Sullivan, CRT (Secretary)
2002 - Sue Pinkman, RCP (Chair), John Monnett, TAP (Treasurer), Mary-Anne
Sullivan, CRT (Secretary)
2003 - Kye-Won Kopko, AMS (Chair), Seth Ghitelman, RLT (Treasurer), Scott Olson,
CRT (Secretary)
2004 - Kye-Won Kopko, TCP (Chair), Seth Ghitelman, RLT (Treasurer), Scott Olson,
CRT (Secretary)
2005 - Todd C. Huse, ESP (Chair), Bailey Center, ACCT (Treasurer), Leta Hall,
SSS (Secretary)
2006 - Todd C. Huse, ESP (Chair), Bailey Center, ACCT (Treasurer), Leta Hall, SSS (Secretary)
2007 - Bailey Center, ACCT (Chair), Jim Robertson, CCP (Treasurer), Sue Pinkman,
RCP (Secretary)
Adjudication Coordinator History
2000 - Don Wilson, PWLT
2001 - Don Wilson, PWLT
2002 - Suzanne Fehl, PTP
2003 - Suzanne Fehl, PTP
2004 - Suzanne Fehl/Donohue, HBP
2005 - Suzanne Donohue, HBP
2006 - Leta Hall, SSS
2007 - Leta Hall, SSS
2008 - Leta Hall, SSS
APPENDIX E
Tabulation Rules
- (as of Jan. 2005) To be accepted for scoring, all ballots must be
received within thirty days of the closing date of the show (or postmarked
December 31st, whichever occurs first). Ballots received later than 30 days
from closing (or postmarked December 31st, whichever occurs first) will not
be accepted or included in the average score.
- As of the deadline, any shows that have received eight ballots or more
shall be considered closed.
- For any shows that fail to have at least seven ballots received for
tabulation before the deadline, board representatives will attempt to
collect outstanding ballots until seven or more ballots is reached.
- A “final tabulation day” and tabulation committee will be established
with the cooperation of the board of directors and the tabulation firm no
later than one full week prior to the nomination announcement event. The
tabulation committee shall be formed to include at least one “neutral” and
“disinterested” representative. Traditionally, this has been a board member
of a new or returning company that did not participate in adjudication for
the tabulation year.
- Two days before “final tabulation day”, any shows that still fail to
have collected at least seven ballots shall be deemed closed. The tabulator
will then be granted permission to copy received ballots until the ballot
total reaches seven. The second received ballot shall be copied, then the
third, then the first. If a show receives less than four ballots, an
emergency meeting of the board shall be called to determine a solution.
- All ballots will be completely entered into an accepted tabulation
spreadsheet or database, including all N/A and N/I scores.
- The tabulation firm will bring the compiled raw electronic data and the
original ballots to the place of “final tabulation day”.
- The ballot data will be averaged as follows:
a. The sum of the received scores shall be normalized by multiplying the
sum by 10 and then divided by the number of scores received (N/A and N/I
shall be counted as “no scores” and shall not be counted as a “score
received”). From this total, the high score and low score will be subtracted
and the final remainder shall be divided by 8 for a final score.
b. A threshold of 7 minimum ballots has been the accepted limit since the
inception of the WATCH Awards program. If, in the future, fewer than seven
ballots are received, ballots will be copied until a seven ballot threshold
is achieved.
c. At least seven numeric scores must be received for any element to be
“qualified”. This means that any show where only seven ballots are tabulated
any elements receiving a score of N/A or N/I by one or more judges shall
disqualify the element regardless of other scores.
- Before any nominations or awards are disclosed to the committee, the
tabulation firm may ask clarification from the committee on any of the
following areas:
- Agreement on which productions were musicals.
- Lead, Featured and Cameo designations.
- All roles receiving 7 lead or cameo designations are considered
set in their category, however it is incumbent upon the committee to
review any roles where only 5 or 6 lead designations were provided.
If missing ballots or incomplete ballots were cause for the
exclusion, the committee is authorized to move the role into the
lead or cameo category.
- If the cameo category does not have enough roles with 7
designations to fill out a nomination slate of five, then the
committee shall agree on a new threshold that does provide at least
five nominees.
- The tabulation firm will also request approval of any other issues
and tabulation resolutions.
- The tabulation firm will then provide compiled reports to the tabulation
committee showing the projected nominees and award recipients.
- Ties that result in more than five nominees will be accepted.
- The formula implemented in 2003 makes award ties much less likely
and any resulting ties should remain.
- Once all decisions affecting nominations and award recipients have been
completed the slate will be declared complete.
- The committee will then be divided into teams of two. Each team will
receive two show packages of ballots to confirm data entry. If errors are
discovered, they shall be corrected and each team will continue checking
ballots until each team has successfully checked two full show packages of
ballots without discovering any errors.
- All acting awards are split into musical and play categories and by
gender of the performer (not the character portrayed). The only exception is
the cameo awards which are not split by gender, only by musical and play.
- All technical and overall elements shall apply to all productions,
except for Overall Musical, Overall Play, Direction of a Play and Direction
of a Musical which shall be determined by only those productions designated
as musicals or plays respectively. It is possible for choreography and music
direction to receive nominations from a production deemed to be a play.
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